{"title":"Rock (All Styles)","description":null,"products":[{"product_id":"a-perfect-circle-thirteenth-step","title":"A Perfect Circle – Thirteenth Step (Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDark, hypnotic and beautifully unsettling - alternative rock that finds extraordinary beauty in the struggle to start again.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReleased in 2003, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThirteenth Step\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is the second studio album from A Perfect Circle, the alternative rock supergroup founded by guitarist Billy Howerdel and Tool vocalist Maynard James Keenan. Building on the atmospheric heaviness of their debut, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eMer de Noms\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the album explores addiction, recovery and the fragile line between self-destruction and redemption.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sound is instantly recognisable: Howerdel's layered guitars and carefully constructed arrangements create vast, cinematic soundscapes, while Keenan's vocals move between restrained vulnerability and chilling intensity. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Package\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e opens with a slow-building sense of menace, before \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWeak and Powerless\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e delivers one of the band's most memorable riffs and choruses. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Outsider\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e hits harder still, pairing muscular guitars with lyrics that confront the destructive patterns of addiction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe album's title references the twelve-step programmes commonly associated with addiction recovery, with the “thirteenth step” used informally to describe an unhealthy dynamic within recovery communities. 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Blending crushing metal riffs, sludgy grooves and eerie vocal harmonies, the album captures the darker side of the grunge movement with an intensity few records have matched.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJerry Cantrell's guitar work shifts between ominous, down-tuned riffs and unexpectedly melodic passages, while his harmonies with vocalist Layne Staley give the songs their unmistakable, haunted quality. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWould?\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e opens with a lurching bassline and one of the band's most iconic riffs, while \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eRooster\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e builds into a devastating portrait of trauma and survival inspired by Cantrell's father's experiences during the Vietnam War.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe album doesn't shy away from uncomfortable territory. 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Cohen's original had appeared years earlier, but Buckley's intimate, ethereal arrangement introduced the song to a much wider audience and helped shape how countless artists would approach it afterwards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe album also reveals Buckley's adventurous side. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eMojo Pin\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e shifts between dreamy restraint and explosive guitar-driven intensity, while the title track builds into a dramatic, almost otherworldly climax. 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Blending acoustic songwriting with jazz, blues, dub-like echoes and experimental guitar techniques, Martyn created something that feels intimate yet wonderfully elusive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe title track is the album's centerpiece: a slow, hypnotic piece of music written for Martyn's friend and fellow musician Nick Drake. Its lyrics are often interpreted as an expression of concern for Drake's fragile state of mind, delivered through Martyn's husky, almost murmured vocals and a beautifully fluid arrangement. It's a deeply moving song without ever becoming sentimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eElsewhere, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eOver the Hill\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e offers a brighter, more melodic side of Martyn's writing, while \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDon't Want to Know\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e combines acoustic warmth with a restless, bluesy groove. Throughout the album, his guitar playing shifts between delicate fingerpicking and the swirling, percussive textures of his Echoplex tape-delay effects, giving even the quietest moments a sense of movement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMartyn was never interested in staying within the boundaries of traditional folk. 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The lineup brought together Alice in Chains vocalist Layne Staley, Pearl Jam guitarist Mike McCready, Screaming Trees drummer Barrett Martin and bassist John Baker Saunders, creating something that sounded distinctly different from their respective bands. The album also features the vocals of Mark Lanegan on Long Gone Day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhere Alice in Chains often channelled darkness through crushing riffs and harmonies, Mad Season leaned into bluesy guitar work, spacious arrangements and a more introspective atmosphere. 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